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467
4.0

龙狱天棺

导演:
阚犇犇
主演:
舒童 刘楚玄 张小婉
别名:
未知
4.0
467人评分
国语
语言
未知
上映时间
未知
片长
简介:
15年前,断手少年白添被猎户白家收养,和姐姐白羽一同长大。但少年身上似乎隐藏着秘密,竟自学机关术,通阴阳八卦,连断手也被重铸。一日,欠下赌债的姐姐被仇家追债,姐弟不得已受命于债主尉迟仞,闯入神秘墓室寻宝还债。 三人在古墓中发现了传说中“龙狱天棺”的线索,正要去领赏之时,却遇城中瘟疫,感染者竟会褪壳妖化。所幸,古墓悬赏人告诉他们“龙狱天棺”也和妖化怪物有关,更能找到神秘消失的“天机门”和其遗留的宝藏。悬赏人重金聘请三人为其寻宝,并凭借妖化怪物这唯一的线索找到了“龙
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2226
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简介:Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.  This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.
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